Stop Chasing the Next Gig. Build a Music Catalog That Pays You for Years.
Join this free 90-minute live session and learn how two working composers built daily royalty income through production music, why top media composers treat their catalog like an asset, and how you can start building the same kind of income system without a manager, a big following, or cold pitching.
Save your spot
Limited live seats. Replay available for registrants.
Three things we'll cover in this workshop
The partners nobody talks about
How to get your music accepted by the right publishers — so your emails don't get ignored and your tracks don't sit on a hard drive collecting dust
One track a day without burning out
Why choosing the right sounds matters more than adding more layers — and how thinking like an editor, not a composer, lets you finish a broadcast-ready track every day
The math that changes everything
The real math: how one album can generate thousands of placements — and why three tracks in the right catalog can out-earn a hundred in the wrong one
This is for you if…
- ✓You're a composer or producer who wants income that doesn't depend on landing the next gig
- ✓You've heard of production music but haven't figured out how to make it actually pay
- ✓You're producing tracks but they're sitting on hard drives instead of generating revenue
- ✓You want a clear system — not another inspirational pep talk
This probably isn't for you if…
- ✗You're looking for a mixing or mastering tutorial
- ✗You want a get-rich-quick scheme
- ✗You're not willing to treat your music like a business
- ✗You only want to write music for Spotify playlists
Two composers. 1,000+ tracks placed. Real systems, not theories.
Sebastian Watzinger
Composer · Production Music Strategist · Catalog Owner
German composer based in Tuscany with credits spanning film, TV, advertising, and production music. His work includes Disney's The Nutcracker and the Four Realms trailer, the McDonald's "I'm Lovin' It" campaign, and brands including BMW, Porsche Design, Mercedes-Benz, Audi, Lindt, and Louis Vuitton. His catalog spans 700+ tracks through BMG, Sonoton/APM, EMI, Warner Chappell, and ROBA — with over 21,000 broadcast placements to date. European Film Academy voting member. Top 5% GEMA full voting member.
Tuomas Norjanen
Composer · Production Music Producer
Finnish composer and former in-house composer at Hans Zimmer's Bleeding Fingers, writing for TV, film, games, and production music with his remote team. 330 published tracks through Extreme Music, KPM/APM, and Warner Chappell Production Music, with royalty-producing placements across Jeopardy Masters, Beast Games, NFL programming, Dateline NBC, 20/20, The Traitors, Love Island, National Geographic, Discovery, History, A&E, ABC, CBS, NBC, and FOX.
Common questions
Is this really free?
Yes. No credit card, no catch. We'll share our system and you'll leave with a clear action plan. If we ever offer a paid program, we'll tell you about it at the end — but the workshop stands on its own.
I'm a beginner. Will this be over my head?
Not at all. We'll cover the fundamentals and the advanced strategy. Whether you have 0 tracks or 200, you'll leave with the next step for your situation.
What if I can't make it live?
Register anyway. Everyone who signs up gets access to the replay.
Is this about stock music libraries?
No. We'll explain the difference between stock music and production music publishing — and why the distinction matters for your income.
Do I need specific gear or software?
If you can produce a track in any DAW, you have everything you need. This workshop is about the business system, not the tools.
Stop leaving money on the table.
Join us live. Bring your questions. Leave with a system.
June 18, 2026 · 6:00 PM CEST · 12:00 PM ET · 9:00 AM PT
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